Intersectionality and Otherness in Girl Woman Other by Bernardine Evaristo

Authors

  • P. U. Okorie Pursuing Ph.D. in the Department of English, University of Maiduguri, Nigeria.
  • I. Nwadike Pursuing Masters in Department of English, University of Maiduguri, Nigeria

Keywords:

Black British literature, Race, Gender, Feminism, Intersectionality

Abstract

This study uses Kimberlé Crenshaw’s theoretical framework to analyze how intersectionality and otherness are portrayed in Bernardine Evaristo’s Girl Woman Other. The analysis looks at how various identity categories—such as race, gender, sexual orientation, class and nationality—interact to create unique marginalization and resistance experiences. The study shows how Evaristo depicts the complicated realities faced by people who live outside of prevailing social norms by concentrating on characters like Amma, Dominique, Yazz, Bummi, Carole and Morgan. The book shows how structural injustices still exist in modern-day Britain, especially those pertaining to racism, sexism, homophobia, class differences and gender expectations. The analysis also emphasizes the significance of intergenerational relationships, community and sisterhood in opposing oppressive systems and building resilience. This study contends that Girl Woman Other portrays identity as fluid, relational and shaped by intersecting social realities drawing on the writings of Kimberlé Crenshaw, Stuart Hall, Audre Lorde, Judith Butler, Toni Morrison, Angela Davis and other academics. In the end, Evaristo’s polyphonic story celebrates diversity and the transformative power of group solidarity while providing a potent critique of discriminatory systems.

References

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Published

31-03-2026

How to Cite

P. U. Okorie, & I. Nwadike. (2026). Intersectionality and Otherness in Girl Woman Other by Bernardine Evaristo. The Watchman, 10(1), 9–16. Retrieved from https://watchmanjournal.com/index.php/tw/article/view/2

Issue

Vol. 10 No. 1 (2026): March, 2026

Section

Research Article

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